Billie Eilish has announced her highly anticipated sophomore album. The 16-track studio album, titled Happier Than Ever, will be released via Darkroom/Interscope Records on July 30. Continuing the tradition on from her multi-GRAMMY Award, record-breaking debut album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother FINNEAS who produced the album in Los Angeles. The album includes Top 40 #1 single “Therefore I Am” and “my future.”

Recorded in the spring of 2010 and then mysteriously abandoned by Prince before its release, the statement album Welcome 2 America documents Prince’s concerns, hopes, and visions for a shifting society, presciently foreshadowing an era of political division, disinformation, and a renewed fight for racial justice. The album features some of Prince’s only studio collaborations with the bassist Tal Wilkenfeld, drummer Chris Coleman, and engineer Jason Agel, with additional contributions from New Power Generation singers Shelby J, Liv Warfield, and Elisa Fiorillo and keyboardist Morris Hayes, who Prince also recruited to co-produce the album. The Deluxe Edition of Welcome 2 America combines the 2LP and CD versions of the album with a never before released Blu-Ray of Prince’s full April 28, 2011 performance at the Forum, part of the Welcome 2 America Tour’s historic 21 Nite Stand in Los Angeles. The show is presented in stereo, 5.1 surround and Dolby Atmos, and includes 24 tracks from across Prince’s career, from his biggest hits to fan favorites to ten rare covers. In addition, the deluxe edition features a 32 page 12x12 book, exclusive poster and an embossed vellum envelope of limited edition memorabilia all housed in a luxe, gold embossed package. Experienced as a complete package, the Deluxe Edition provides an immersive view of Prince’s creative genius during his spontaneous, energetic, and thought-provoking Welcome 2 America era.

2020 was not quite what Jay Farrar was expecting for the 25th anniversary of Son Volt, the band he started in 1995 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre. The group had just finished an Outlaw Country Cruise when the pandemic hit and sent them into their homes on lockdown.

Instead of a triumphant tour marking the illustrious landmark, Farrar was forced indoors by the pandemic, and his “Reverie” during that time helped define Electro Melodier, Son Volt’s 10th studio album – and third for influential Nashville indie Thirty Tigers. The title, taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, also describes the disc’s unique blend of folk, country, blues, soul and rock – an electric troubadour with melodies that hit and stick. Social protest songs like “Living in the U.S.A.” and “The Globe,” the former about the promises of this nation gone wrong, the latter referencing the street protests accompanying the Black Lives Matter movement, exist side by side with odes to long-term relationships (specifically his 25-year marriage) in “Diamonds and Cigarettes” and “Lucky Ones.”

Once again accompanied by the current Son Volt line up – keyboardist/steel guitarist Mark Spencer, bassist Andrew Duplantis, guitarist Chris Frame and drummer Mark Patterson – Farrar takes a slight turn from 2019’s politically pointed Union to a series of songs that asks questions rather than demanding answers – think of “Living in the U.S.A.” as Farrar’s version of Bruce Springsteen’s “Born in the U.S.A.,” Neil Young’s “Rockin’ in the Free World” or Patti Smith’s “People Have the Power,” an anthem to unite the populace.

One listen to Electro Melodier, which opens with “Reverie,” describing Farrar’s contemplative state gazing out his window, enlivened with Mark Spencer’s “Wichita Lineman” guitar riffs and the lush Big Star melodies, and you wonder why no other rock ‘n’ roll bands or singer/songwriters are making albums like this about what we’re all going through.

With tour dates scheduled before the end of 2021, Son Volt is ready to return to what they know best after a welcome period of introspection.

The songs of Electro Melodier help remind us to be thankful of what we still have – new music from Jay Farrar and Son Volt. 

Parker McCollum will be releasing his major label debut- Gold Chain Cowboy on MCA Nashville on July 30^th.  He is born and raised in the Houston-TX market and has been based in Austin-TX since he released is first independent single and EP in 2013.  He has performed and will headline numerous radio station festivals during the summer.  The 10 Tracks on his debut album will feature the #1 Platinum-"Pretty Heart" and his current Top 40 hit- "To Be Loved By You". 

Stand for Myself is the anthemic new album from Yola. Produced by Dan Auerbach, the record is a timeless masterpiece marking an idiosyncratic sonic shift, which will defy all expectation. A sophisticated and diverse sonic mix of symphonic soul and classic pop, tracing an expansive musical thread to Yola’s most eclectic musical inspirations. Yola’s inimitable vocals share nuanced stories of allyship, black feminine strength through vulnerability, collective awakening and loving connection from the sexual to the social. Yola declares that it is only when we stand for ourselves, and acknowledge our complexity, that we can be truly alive. For Yola, living is more than merely surviving. 

Los Angeles based band, Los Lobos, have always been inspired by their surroundings and the place they call home. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. With Native Sons the band set out to showcase all of these influences with their own take on the songs of Los Angeles from some of the cities greatest songwriters. Native Sons features 13-songs from well known LA artists such as Buffalo Springfield, WAR, Jackson Browne and the Beach Boys as well as deep cuts from the Jaguars, The Basters and The Premiers. The album title track is the sole original composition written by the band. 

Single LP on opaque red-in-translucent yellow color vinyl in same packaging as standard version. Full album download included.

“A RESIDENCY IN THE LOS ANGELES AREA” is the major label debut from multi-instrumentalist, singer-songwriter and producer NAIA IZUMI. Overlaying virtuosic two-hand tapping, eloquent phrasing, and time-warping tremolo upon a slow-honey drip of soul, Naia speaks through his music as if the sound flows through him.

Diagnosed with autism at the age of 16, Naia dropped out of high school to join the Job Corps before deciding to pursue his dream full force, busking on the streets and performing hundreds of gigs across the country before settling in Los Angeles.  In 2018, Naia made his breakout win at NPR’s highly-coveted Tiny Desk Contest with his track “Soft Spoken,” which landed the musician a major label record deal with Sony Music Masterworks. 

On “A Residency in the Los Angeles Area” Naia collaborated with producer Tony Berg [Peter Gabriel, Phoebe Bridgers] and recorded at Sound City Studios, performing vocals, guitar, bass, drums, Japanese Koto, mandolin, cittern, and more.  From the simmering funk beat of “Honesty” to the searing solo performance on “Natural Disaster,” the smoky wah of “Six Inch Stilettos,” and the lushly hypnotic melodies on “Good At Being Lonely,” the album showcases Naia’s artistry on every level.  A subtle homage to his adopted home base, “A Residency in the Los Angeles Area” represents the union of practice and magic, technique and spirit, intense thought and unrestrained emotion

Limited triple vinyl LP pressing. More pervasive than a virus, anxiety and urgency has spread across our physical and virtual landscapes. The air of the present moment find parallels on the newest body of work by Son Lux. On Tomorrows, Ryan Lott, Rafiq Bhatia, and Ian Chang train their sights on volatile principles: imbalance, disruption, collision, redefinition. But for all of it's instability, Tomorrows' exploration of breaking points and sustained frictional places is ultimately in service of something rewarding and necessary: the act of questioning, challenging, tearing down and actively rebuilding one's own identity. Arriving at a time of considerable uncertainty in the world, Tomorrows is ambitious in scope and intent. Born of an active, intentional approach to shaping sound, the music reminds us of the necessity of questioning assumptions, and of sitting with the tension.

Vinyl LP pressing. 2021 release, the fifth album from the alt-rock band.

• 180 gram yellow splatter colored vinyl
• Originally released April, 19th 2011 
• Showcases Brian’s legendary and world-class skills as a musician.
• Features “Go-Go Godzilla!” from the official Soul Surfer soundtrack.

Private Space, the group’s third album, is a previously untapped vibe at the heart of The Indications. Pushing beyond the boundaries of the funk and soul on their previous releases, Private Space unlocks the door to a wider range of sounds and launches boldly into a world of synthy modern soul and disco beats dotted with strings. It’s an organic, timeless record that’s as fresh as clean kicks and familiar as your favorite well-worn LP. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Its 10 tracks are both an escapist fantasy and a much-needed recentering after a tumultuous 2020. Throughout, The Indications highlight a collective resiliency – as well as the power of a good song to be a light in the darkness.

Durand Jones & The Indications have long provided the soulful soundtrack for such deep thoughts, both on stage and on your turntable. But as the world slowly resets from the chaos of the past year, Durand Jones & The Indications’ Private Space is arriving at just the right time.

2021 release. Just as their critically acclaimed 2020 album Out of Body impacted audiences, Needtobreathe capitalized on a rush of inspiration and rode the wave of creativity with the writing and recording of Into The Mystery. Without telling a soul, the band decamped to a historic house-turned-recording studio in Columbia, TN to begin working on new music. Over the course of three weeks, they resided under one roof, laughed during meals, explored their surroundings, and recorded together with co-producer and engineer Konrad Snyder and special guests, Carrie Underwood, Jon Foreman (Switchfoot) and Natalie Hemby (The Highwomen). Out of this de facto creative hub and "extended summer camp," they handcrafted an album reflective of the moment, yet independent of all expectations-even their own.

"There's more to the duality of Clay Walker's debut Show Dog Nashville album Texas To Tennessee than the title. Certainly, the realities of place are as central as this comeback album's name implies: Nashville busily working toward the next fresh hit; Texas moving at its inimitable and familiar pace. There's also a mix of songwriting and production approaches, evident and more nuanced relationships between the songs themselves, and the overarching presence of a naturally gifted vocalist who relentlessly pursues his own development as a singer. But don't mistake those dualities for dichotomy – and certainly not polarity. In a storied career dotted with smash singles, platinum albums and countless honors and acclaim, maybe the connection between country's timeless themes and music-of-the-moment timeliness has been there all along.

Many of the country fans behind the almost 20 million on-demand and video streams for his latest single "Need A Bar Sometimes" – who may also be among his 750,000 TikTok followers – are wholly unaware of Walker's history. Discovered in a Beaumont area bar by noted producer and head of Giant Records James Stroud (Toby Keith, Tracy Lawrence, Tim McGraw, Kenny Rogers), Walker was in his early twenties when he started rattling off a string of smash hits. Among them, “Live Until I Die,” "Dreaming With My Eyes Open," “This Woman And This Man,” "Hypnotize The Moon," "Rumor Has It," “Then What,” "I Can't Sleep" and "She Won't Be Lonely Long." His self-titled debut album rocketed to platinum status, the first of four to cross the million-sold mark. Racking up more than 30 charted singles and 11 No. 1s wasn't without its struggles, however.

"Being born and raised in the Houston area, I thought of myself in the line of George Strait and Clint Black, but my first producer had other ideas," Walker says. "James Stroud pushed me more towards pop sounds I fought with. What he was saying, and I think he was right, was, 'Clay, you've got some gears to you that will excite people if you let it.' I was young – 23 – and didn't really settle with that. But now I'm in a sweet spot in music, in life, and I definitely feel the audience has swung around to appreciating music that makes those connections."

Bleachers are set to release their highly anticipated 3^rd album Take The Sadness Out Of Saturday Night due out July 30^th 2021 via RCA Records. In late 2020 they offered up the first taste of new music to preview the album with the release of “Chinatown” ft. Bruce Springsteen and “45”.  This music is the follow up to their critically acclaimed second album, Gone Now, which came out on June 2^nd, 2017.  The first single “Don’t Take The Money” hit #3 at Alternative Radio. Ahead of the album release, The New York Times put out a piece that called Bleachers’ new music “anthemic life-affirming pop-rock”. Bleachers, who are known for their incredible live shows,  headlined a North American tour in support of the album, which included a number of major festival dates like Sasquatch Festival, Governor’s Ball, and Firefly Music Festival. Five-time Grammy^® Award-winning singer, songwriter, musician, and producer, Jack Antonoff, is the creative force behind Bleachers.

In 2018, legendary heavy metal vocalist and pop culture pillar Dee Snider turned the heavy music world on it's axis with his transformative full-length, For The Love Of Metal. Produced by HATEBREED frontman Jamey Jasta, the album re-cemented the undeniable prowess of the iconic Twisted Sister singer with it's modernized mastery and take-no-prisoners attitude. Three years later, with one of the most collectively tumultuous times society has ever experienced behind him, Dee Snider triumphantly returns with the potent full-length follow up Leave A Scar. Once again produced by Jamey Jasta, with co-production, mixing and mastering by drummer Nick Bellmore, Leave A Scar sees Dee Snider & Co. Continuing in the invigorated direction of For The Love Of Metal, infusing a dose of classic heavy metal flavor that longtime fans will rush to embrace. Like a scar itself, Leave A Scar is an illuminating plentitude of angst etched in time - serving as a musical refuge and expressive output for Dee. But in turn, this auditory time capsule written to express the anger, unease and pain he experienced during lockdown emerges as not only blisteringly heavy, but relentlessly powerful. Heads will bang within seconds of the hard-charging opening notes of ultra-catchy album starter and lifer anthem "I Gotta Rock (Again)", instantly setting the stage for the non-stop onslaught of metallic mainstays to come. Tracks like the brutal "Time To Choose" - featuring the primed guest vocal attack of Cannibal Corpse's George "Corpsegrinder" Fisher - and mosh-ready "The Reckoning" showcase the album's heavy assault, without sacrificing the harmonic goodness evident on tracks like the unrelenting, hooky thrasher "All Or Nothing More" and melodic, metal-core inspired "In For The Kill". Energetic single of strength "Down But Never Out" encapsulates the chunky riffage and driving drums palpable throughout the album, while searing "Before I Go" provides one of the album's most massive, memorable choruses and chilling lyrics. The album closes with victorious ballad "Stand", a call for listeners to take a stand and make their voices heard. Each of the 12 tracks on Leave A Scar not only further bolster Dee Snider's position as one of the most celebrated frontmen of all time, showcasing that his vocal delivery and commanding swagger is as strong as ever, but that he is nowhere near stopping. If For The Love Of Metal ignited Dee Snider's eminent surge into a new era - Leave A Scar sets it ablaze.

On July 30th, Saddle Creek will release a bold new project in the form of Culxr House:Freedom Summer, a collaborative project showcasing a host of talent from Omaha, Nebraska, all of whom are tied to Culxr House: an innovative community hub based in the city that focuses on providing artists and creatives a safe space to grow their talent and obtain access to resources necessary to turn their art into economic opportunities. Culxr House exists to bridge both social and economic gaps through the cultivation of talent and artistry within the inner city.

Culxr House also served as a nerve center for the protests carried out in Omaha beginning in the summer of 2020, aka, Freedom Summer. The Culxr House family helped to pull people together, inspiring the community to talk about what needed to happen in order to evoke both global and local change. The collective family that are showcased on the new album ~ and the songs they created ~ grew from both those meetings and the venue’s open mic nights. The finished album is proof of the magic that can grow from collaboration and from instigating the bonds of community when it’s most needed.

A wholly important release in its own right, the record is also a reflection of the strength found in Omaha’s culture and community. Available digitally and via a limited edition vinyl run, 50% of the album’s profits will be shared between the artists involved, with the other 50% donated directly to the Culxr House venue that brought this project to life.

The Barren Form is a relentless and unforgiving exhibition of misery and despair. The technicality and weight of Noctambulist's prior album remains persistent on this release, but through an elevated form of songwriting and introspective lyrical content, creating a suffocating and bleak aura. Each track embodies a manifestation of depression, grief, anxiety, and fear - a fitting theme for present day - intended to unsettle and consume the listener.

KING WOMAN, the outfit featuring songwriter, vocalist and “tour de force of gloom and woe” (Rolling Stone) Kris Esfandiari, return with their eagerly-awaited sophomore album, Celestial Blues. Feeling compelled to reshape the biblical archetypes that once bound her, Esfandiari has created a theatrical tale of rebellion, tragedy, and triumph — a metaphor for her own personal experiences over the years — Celestial Blues was born. Celestial Blues is at once a masterclass on crushing atmospheric doom, and at times a sobering take on the weightier sides of shoegaze. At the album's core, a palpable tension can be felt. Acoustic guitars soar before descending into a darkness of riff-heavy distortion. Drums build upon these moments and explode into a cacophonous groove. Esfandiari's voice remains at the forefront; somber moments lead to burning intensity and crescendo. This ebb and flow is constant. Recorded in Oakland, California by GRAMMY-nominated engineer Jack Shirley (Deafheaven, Amenra, Oathbreaker) Celestial Blues sees KING WOMAN take a daring step forward as one of the genre's luminaries, releasing one of the year's most evocative records.

Pop sensation Slayyyter is taking control of 2021, releasing her debut album Troubled Paradise out June 11th via FADER Label. Featuring singles like Self Destruct, Throatzillaaaand title track “Troubled Paradise,” Slayyyter spins dastardly lovers, boredom, and literal villains into bombastic, Y2K-influenced music on her first official LP. Her ferocious return signals the dawning of a new era for the self-made popstar, one who isn’t afraid to raise some hell. Transparent Cloudy Clear LP.

To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche. Limited Edition 7" Single Yellow Flexi Disc. Packaged in polybag with comic book.

To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche. Limited Edition 7" Single Flexi Disc. Packaged in polybag with comic book. Indie Exclusive.

To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche. Limited Edition Red 7" Single Flexi Disc. Packaged in polybag with comic book. Indie Exclusive.