Indie Exclusive Releases
Closure / Continuation [Indie Exclusive Limited Edition White 2LP]
Porcupine Tree have made their comeback today with a new single "Harridan". This will be off their new album "CLOSURE/CONTINUATION" which hits stores on 6/24. The band last released an album in 2009 (‘The Incident’). They released ten albums between 1992’s ‘On The Sunday of Life’ and 2009’s ‘The Incident’ before entering a hiatus after their biggest live show to date at the Royal Albert Hall in October 2010. The band is composed of Steven Wilson, Richard Barbieri and Gavin Harrison.
Mello Music Group
Self Sacrifice [Indie Exclusive Limited Magma Edition LP]
Never before on vinyl - original cover art by the legendary Mear One. Featuring Oddisee (4 tracks), Apollo Brown (2 tracks), Roc Marciano, Black Milk, Georgia Anne Muldrow, !llmind and more.
A Very Lonely Solstice [Indie Exclusive Limited Edition Clear 2LP]
Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.
Now being released for the first time on vinyl, CD and digital formats, ‘A Very Lonely Solstice’ captures a poignant moment in time. The recording was originally broadcasted as a live-stream event on the winter solstice of 2020, just days after New York declared a state of emergency tightening restrictions again in response to increasing COVID-19 cases. Pecknold describes the set as “me by myself on the longest night of the year... honoring the loneliness of 2020 with a nylon string and some songs new and old.” Fans worldwide tuned in while quarantined at home, finding solace and a sense of community in a period of extreme isolation.
Much of ‘A Very Lonely Solstice’ showcases a solo focus on Pecknold who offers up acoustic arrangements of fan-favorite songs spanning Fleet Foxes’ catalog. Selections cover all four of the band’s studio albums, including their 2008 self-titled debut album (“Tiger Mountain Peasant Song”) to 2011’s Helplessness Blues (“Blue Spotted Tail”) and 2017’s Crack-Up (“If You Need To, Keep Time On Me”), all the way to their latest release, Shore. Resistance Revival Chorus joins Pecknold on Shore tracks “Wading In Waist-High Water” and “Can I Believe You.” Also featured: a cover of Nina Simone’s “In The Morning” and a rearrangement of the traditional “Silver Dagger.”
Good To Be... [Indie Exclusive Limited Edition ’62 Chevy Red 2LP]
Written partially in Nashville and partially in the Compton house Keb’ grew up in, Good To Be… weaves together past and present into a heartwarming tapestry spanning more than forty years of sonic evolution. Joined by a variety of collaborators, including country legend Vince Gill, famed producer Tom Hambridge (B.B. King, Buddy Guy), Darius Rucker, Kristin Chenoweth, and Old Crow Medicine Show, Good To Be…is a deeply cohesive and optimistic collection of music about appreciating what you’ve got, where you come from, and who you get to share it with.
Alpha Games [Indie Exclusive Limited Edition Red LP]
“Alpha Games was conceived on the road, playing in front of amazing crowds on our last tour and then brought to life with the fire and the frustrations of 2020,” says Kele Okereke on Bloc Party’s first new album in seven years.
The first Bloc Party album written and recorded as this four piece; adding the musicality of Justin Harris (bass) and the unbridled energy and power of Louise Bartle on the drums to capture the spark of their live shows and to deliver the most exciting Bloc Party album yet.
“We wanted to can what was happening at those massive gigs in 2019, to showcase what Louise can do, what Russell is capable of and most importantly the electricity coming off the audience. We knew that Nick & Adam were the right choice of producers to do that and the result feels like fire in a bottle.”
Produced by Nick Launay & Adam Greenspan (Nick Cave, Yeah Yeah Yeahs, IDLES), the 12 tracks of Alpha Games veer from the intense & confrontational (Traps, Day Drinker) to melodic and introspective (If We Get Caught, By Any Means Necessary) and marks a new and important chapter in one of music’s most important voices in Kele Okereke and important bands in Bloc Party.
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2 [Indie Exclusive Limited Edition LP]
Old Crow Medicine Show
Paint This Town [Indie Exclusive Limited Edition Clear LP, 3 Random Covers]
Vinyl: $23.98 PREORDER
On Paint This Town, Old Crow Medicine Show offer a riveting glimpse into American mythology and the wildly colorful characters who populate it. Co-produced by OCMS and Matt Ross-Spang the album pays homage to everyone from Elvis Presley to Eudora Welty while shedding a bright light on the darker aspects of the country’s legacy. Fueled by Old Crow's freewheeling collision of Americana, old-time music, folk, and rock & roll, Paint This Town turns razor-sharp commentary into rapturous sing-alongs.
All Souls Hill [Indie Exclusive limited Edition Red LP]
Fear Of The Dawn [Indie Exclusive Limited Edition Astronomical Blue LP]
Fear of the Dawn is the fourth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, pressed to vinyl at Third Man Pressing, and released by Third Man Records. Pressed on limited astronomical blue vinyl, only available at independent record stores
It's Fine [Indie Exclusive Limited Edition Fucked Up Birthday Cake LP]
Christian Lee Hutson
Quitters [Indie Exclusive Limited Edition Translucent Purple 2LP]
Christian Lee Hutson starts his new album Quitters with a laugh. In this follow up to his ANTI Records debut, Beginners, Hutson moves away from a focus on growing up to the dread and complications of growing older. Written under lock down, the laugh that announces Quitters is the kind you’ll find at the end of John Huston films, one of resignation and release, and somehow a cosmic laugh that says “California,” a place where lonely people gather together like birds.
The song “Rubberneckers” follows the story a romance from beginning to breakup, with backing vocals by Phoebe Bridges, who returns as producer along with Conor Oberst. Quitters is a departure from the digital recording of his debut. Hutson shares, “With this record, Phoebe and Conor had an idea that it would be fun to make it to tape. Phoebe is my best friend and making Beginners with her was so comfortable and easy. So I wanted to work with her again and Conor is someone who I really respect as a lyricist.”
If every great record is a world, then this is Christian Lee Hutson’s world. It’s one filled with the fuzzy haze of a dream, and the half-remembered moments of a forgotten life. It’s a record brave enough to say, In the good old days, when times were bad. But beyond the songs, it is this voice. The voice of someone who was alive in 2021 and recorded a group of songs with his friends for us to hear.
North Mississippi Allstars
Set Sail [Indie Exclusive limited Edition Gotham LP - Alternative Packaging + Bonus Tracks]
This is a color LP that features alternative packaging from the standard LP. The LP package also includes a download of the full album that includes two exclusive bonus tracks.
Luther and Cody Dickinson started North Mississippi Allstars in 1996 as a loose collective of like-minded second-generation musicians who shared a local repertoire and regional style. Over the years the lineup shifted by design, and each NMA record offered up a different combination of collaborators. Set Sail finds the brothers working with Jesse Williams on bass and Lamar Williams, Jr. for the first time.
Set Sail, North Mississippi Allstars’s thirteenth album, follows 2019’s Up and Rolling, which was nominated for a Grammy Award for the Best Contemporary Blues Album in 2021. Set Sail continues the band’s tradition of creating roots music that displays remarkable variety. With their latest record, NMA are able to build upon their self-described sound of Primitive Modernism - a melding of the new and the old, traditional and futuristic, crafted lyrics and improvisational music.
Country Coming Down [Indie Exclusive Limited Edition White LP]
Vinyl: $20.98 PREORDER
Want to get a bead on Paul Cauthen?
Good freakin' luck -- especially on his third album, COUNTRY COMING DOWN.
COUNTRY COMING DOWN has been in motion awhile, actually. The title track, one of several co-writes with good Nashville pal Aaron Raitiere, has been around since before Cauthen's dark sophomore album ROOM 41. Its sense of campfire calm and "damn near off the map" idyll set a bar, for both music and lifestyle, that Cauthen aspired to, while the rest of the new album, recorded at Modern Electric Sound Recorders in Dallas with regular collaborators Beau Bedford (Texas Gentlemen) and Jason Burt (Medicine Man Revival), shows that Cauthen was able to get there without losing any of the playful "hot dog holly golly dagnabit" good-time spirit that rolls off his tongue like a tumbleweed in the west Texas panhandle.
If you want to know what COUNTRY COMING DOWN sounds like, tuck into the album's sonic array, an austere, sinewy attack that puts Cauthen's vocals dead center in the ride. "We've really unleashed Big Velvet in this situation, which I love," he says. Nowhere is that more true than "Country As Fuck," with a taut groove and loping gait tailor made for a 21st century honky tonk. Cauthen, Bedford and Burt play with that template throughout COUNTRY COMING DOWN, punctuating "Caught Me At a Good Time" with a sharp guitar solo, "High Heels" with a tasteful Wurlitzer break and the satiristic "Country Clubbin'" with a disco beat and chorus of female backing vocals.
His muse fully engaged, Cauthen is looking towards doing more of that in the future, with a few conceptual ideas up his sleeve about what he might do next. No matter what direction he takes, however, he won’t be abandoning that cabin in the hills or the "Country Clubbin'" life; Cauthen will just be adding more to the mix he's stirred together.
"It's just about looking at yourself in the mirror and knowing that what you've done to this day has been in good standing, with good morals and a good compass in life, driven the right way," he says. "Legacy is all we have -- that, and try to be a good person as well. If you get all that together, then you can do whatever the fuck you want and it'll be alright."
Labyrinthitis [Indie Exclusive Limited Edition Peak Green/Bone LP]
Vinyl: $20.98 PREORDER
LABYRINTHITIS brims with mystic and intoxicating terrain, the threads of Dan Bejar’s notes woven through by allusions at once eerily familiar and intimately perplexing. The record circuitously draws ever inward, each turn offering giddy surprise, anxious esoterica, and thumping emotionality at equal odds. “Do you remember the mythic beast?” Bejar asks at the outset of “Tintoretto, It’s for You,” the album’s first single, casting torchlight over the labyrinth’s corridors. Delivered in a Marlene Dietrich smolder, Bejar’s lyrical menace seeps like smoke through the brazen march’s woozy synths and dizzied guitar. “There’s some character here that feels new to me, a low drawl, an evening gown draped over a piano,” Bejar says of the song. Throughout, LABYRINTHITIS insists that everything’s not all right, but that even isolation and dissolution can be a source of joy—stepping into the sunlight at the other end of the maze in your ear, Bejar strolling alongside like a wildmaned,
More than an arcane puzzle for the listener, LABYRINTHITIS warps and winds through unfamiliar territory for Bejar as well. Written largely in 2020 and recorded the following spring, the album most often finds Bejar and frequent collaborator John Collins seeking the mythic artifacts buried somewhere under the dance floor, from the glitzy spiral of “It Takes a Thief ” to the Books-ian collage bliss of the title track. Initial song ideas ventured forth from disco, Art of Noise, and New Order, Bejar and Collins championing the over-the-top madcappery. “John is in his 50s, and I’m almost there, but we used to go to clubs,” Bejar laughs. “Our version may have been punk clubs, but our touchstones for the album were more true to disco.”
Bejar and Collins conducted their questing in the height of isolation, Collins on the remote Galiano Island and Bejar in nearby Vancouver, sending ideas back and forth when restrictions didn’t allow them to meet. “From the vocal manipulation to the layered electronics, making this record pushed us to a new place, and reaching that place felt stressful,” Bejar recalls. “But I trust that that stress is a good feeling.” That cuddly anxiety excels in tracks like “Eat the Wine, Drink the Bread.”
Lyrically, LABYRINTHITIS embraces a widescreen maximalism, blocks of text dotted with subversions and hedges. Building from the koans of Have We Met, Bejar continues to carve his words precisely, toying with expectations and staid symbols, while Collins’ production reconstructs the pieces into a unified whole. “Even though everyone recorded in their own isolated corners, this is the most band record that we’ve done in the last few years,” Bejar says. “Everything’s manipulated, but the band is really present, and our plans wound up betrayed by what the tracks wanted. I’ve written 300, 400 songs in my adult life—I don’t know how to do anything else—but this album feels like a breakthrough into new territory.”
That unprepared synchronicity and mutual discovery shines on “June,” a six-and-a-halfminute track that features a blend of funk bass, fluttering synth, and charred poetry recitation. While Bejar initially envisioned LABYRINTHITIS as a straight dance record (“just like Donna Summer’s greatest hits”), the end of “June” explodes that simplicity into a million shining pieces, finding joy in mutual discovery instead of isolated certainty. LABYRINTHITIS closes on “The Last Song,” Bejar singing and strumming all alone, a gentle yet no more settled exodus out of the fractured dance party. “I try and sneak in sweet moments where I can,” Bejar laughs. As LABYRINTHITIS closes, the reorienting vertigo lingers, its implacable aura and bewitching lyrics wriggling ever deeper into the mind.
Nothing's Real, So Nothing's Wrong [Indie Exclusive Limited Edition Cloudy Clear LP]
Nothing’s Real, So Nothing’s Wrong is a grown-up break-up record, for strugglers by a struggler. It’s a record about fatherhood written during a pandemic. It’s a kitchen-sink 10th album pivot, painstakingly brought to life by two career-long collaborators and their shared and split obsessions. Lyrically evocative, excavating and unflinching without irresponsibly printing your journals.
Gang Of Youths
Angel In Realtime [Indie Exclusive Limited Edition Pink Cover, White 2LP]
Vinyl: $31.98 PREORDER
Gang of Youths say, “The album is about the life and legacy of Dave's father, indigenous identity, death, grief and God. And also the Angel, Islington.”
Forever On My Mind [Indie Exclusive Limited Edition Black And White Fleck LP]
A new Son House album of previously unreleased recordings from the legendary “Father Of The Delta Blues” features the never before recorded track, “Forever On My Mind.” The album comes from noted blues manager and historian Dick Waterman’s archives which were the first upon Son House’s 1964 re-discovery. Restored to remarkable clarity, by producer Dan Auerbach for Easy Eye Sound, these recordings represent the earliest recordings of House upon his return to the limelight after 20+ years away.
Don't Go Throwing Roses In My Grave [Indie Exclusive Limited Edition Clear with Black Smoke LP]
Don’t Go Throwing Roses In My Grave is the first solo record by beloved frontman of The Menzingers, Gregor Barnett. Devoted Menzingers fans will love its electrified Americana riffs, yearning melodies, driving beats and indelible lyrical imagery. The Philadelphia based singer/songwriter is telling his stories with a folkier style then he does in The Menzingers, but his stories are just as moving and compelling.
PAINLESS [Indie Exclusive Limited Edition Cloudy Blue LP]
Nilüfer Yanya runs head first into the depths of emotional vulnerability on her anticipated sophomore record PAINLESS. Recorded between a basement studio in Stoke Newington and Riverfish Music in Penzance, the record is a more sonically direct effort, narrowing her previously broad palette to a handful of robust ideas. Yanya's debut album Miss Universe (2019) earned a Best New Music tag from Pitchfork and saw support tours with Sharon Van Etten, Mitski & The XX. Indie Exclusive Cloudy Blue LP.
Matisyahu [Indie Exclusive Limited Edition Splatter 2LP]
Like only the most gifted storytellers, Matisyahu spins the rare kind of stories that simultaneously enlighten and enthral and expand the audience’s sense of possibility. On his eponymous new album, the Grammy Award-nominated singer/songwriter/rapper shares his most autobiographical work to date, merging that personal revelation with a shapeshifting collision of reggae and hip-hop and boldly inventive pop. Produced by Salt Cathedral (a Brooklyn-based duo comprised of Colombian musicians Juliana Ronderos and Nicolas Losada), the result is an undeniably transformative album, one that invites both intense introspection and unbridled celebration.
Charlotte Adigery & Bolis Pupil
Topical Dancer [Indie Exclusive Limited Edition Black & White 2 LP]
Belgian-Caribbean provocateur Charlotte Adigéry and long-term musical partner Bolis Pupul announce their debut album, Topical Dancer. Cultural appropriation. Misogyny and racism. Social media vanity. Not talking points that you’d ordinarily hear on the dancefloor, but the Ghent-based duo are rare storytellers. Co-written and co-produced by Soulwax, Topical Dancer is both a triumph of kaleidoscopic electro-pop and a snapshot of how we think about pop culture in the 2020s. Indie Exclusive 1 Black LP & 1 White LP.
Multitude [Indie Exclusive Limited Edition White LP]
Vinyl: $39.98 PREORDER
After 8 years of absence, Stromae is back with his third album Multitude – 12 tracks that mark the return of one of the most important artists of his generation. The project is set to be released on March 4, 2022.
Band Of Horses
Things are Great [Indie Exclusive Limited Edition Translucent Rust LP]
Band of Horses’ sixth album and first record in more than five years. Sonically, the album is a return to their earlier work and the kind of raw ethos that lies at the heart of Band of Horses. Emotionally intense, both on a personal and elemental level, on Things Are Great we find band founder Ben Bridwell more autobiographical than he’s ever been on record detailing the nebulous frustrations and quiet indignities of relationship changes and what a person will do to make things right.
The Ballad of Dood and Juanita [Indie Exclusive Limited Edition Natural LP]
In a career marked by risk-taking and rule-breaking, Simpson has previously challenged genre conventions with 2016’s soul-inflected A Sailor’s Guide to Earth, which won the Grammy award for Country Album of the Year and was nominated for Album of the Year, and 2019’s Sound & Fury, which was nominated for Rock Album of the Year.
All The Truth That I Can Tell [Indie Exclusive Limited Edition Transparent Dark Blue & Green LP]
Vinyl: $28.98 PREORDER
Dashboard Confessional’s ninth studio album, All The Truth That I Can Tell, is both a remarkable renewal and fortunate step forward for the band’s songwriter, front man, and founder, Chris Carrabba. All The Truth That I Can Tell stands among Carrabba’s finest – a strikingly potent musical look at himself through a rediscovered keyhole, both an achievement of vision and a vital burst of artistic clarity; less like reading someone’s diary and more like reading their eyes.
All The Truth That I Can Tell is available exclusively at participating indie retailers on “Cold Night” transparent dark blue/green vinyl.